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Bonitzer’s Auction Opens in U.S., Reframing a Real Schiele Restitution Saga

The film uses a documented Schiele recovery to probe how restitution intersects with an art market fixated on price.

Overview

  • Pascal Bonitzer’s Auction (Le tableau volé) begins U.S. theatrical play on October 29, with New York’s Film Forum among the openings.
  • The movie is inspired by the 2005 rediscovery near Mulhouse of Egon Schiele’s 1914 Wilted Sunflowers, a Nazi-confiscated work traced to collector Karl Grünwald.
  • Coverage reiterates that the painting was returned to Grünwald’s heirs and sold at Christie’s London in 2006 for roughly £11.7–£11.8 million, purchased by Eykyn Maclean.
  • Bonitzer fictionalizes owners and institutions while anchoring to the case’s facts, with composite characters modeled on real figures such as Thomas Seydoux and Rudolf Leopold.
  • Critics describe a researched, sardonic dramedy that contrasts a working-class finder’s limited gains with the ambitions of auction houses, lawyers, and experts.