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Berlin Biennale’s 13th Edition Embraces ‘Foxism’ to Expose Surveillance and Subversion

Curator Zasha Colah has enlisted 60 artists to reinterpret acts of protest into satirical installations that expose state surveillance.

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Zeichnung. Man erkennt zwei Figuren, die in einen Himmel schauen

Overview

  • The show presents works by 60 artists from nearly 40 countries, many offering postcolonial critiques through overlooked contemporary practices.
  • Colah’s “Foxism” theme frames art as adaptable and subversive agents that infiltrate and repurpose spaces of exclusion.
  • Performances range from Akademia Ruchu’s choreographed stumbles at a former Communist Party headquarters to Han Bing’s leash-walked cabbage on Tiananmen Square, both using nonconfrontational acts to unsettle authorities.
  • In a highlight at the Volksbühne, Florentine Holzinger deploys militarized robot dogs and vivid live surgery to critique digital monitoring and bodily control.
  • Margherita Moscardini’s 561-stone staircase, each stone certified by stateless or extraterritorial entities, envisions communal space beyond sovereign claims.