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Backrooms Opens to Record Box‑Office While Obsession Holds Strong

Two low‑budget horror films born on YouTube mobilized young audiences and forced studios to rethink franchise strategies.

Overview

  • Backrooms, directed by 20‑year‑old Kane Parsons, opened this weekend to about $81–81.5 million in North America and roughly $118 million worldwide, giving A24 its biggest opening ever and setting multiple records for an original horror debut.
  • Curry Barker’s Obsession continued its rare upward run with a roughly $26.4 million third weekend, pushing its domestic total past $100 million and global receipts to about $148 million on an estimated sub‑$1 million production cost.
  • Both films drew heavily from Gen Z audiences, with reports showing Backrooms’ crowd about 85% under 35 and roughly half under 25, demonstrating that creators with large online followings can convert fans into theatrical turnout.
  • Backrooms was made for about $10 million and is already many times profitable, Parsons has signaled he expects further Backrooms projects, and analysts say sequels or franchise plans are likely for both titles.
  • Industry leaders and analysts say the weekend — which saw these horror originals outperform a new Star Wars tentpole that tumbled roughly 69–70% in its second weekend — will push studios to scout creator‑origin IP, target youth marketing, and reassess franchise-first development.