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Ari Aster’s Eddington Divides Critics with COVID-Era Western Satire

Critics are split on Eddington’s bold fusion of Western style with pandemic-era satire exposing the data-driven roots of modern polarization

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Overview

  • Theatrical release on July 18 has prompted a surge of immediate reviews and in-depth explainers.
  • Audiences and analysts debate the film’s ambiguous portrayal of a masked insurgent group, with readings spanning political allegory and narrative device.
  • Commentators highlight Aster’s critique of social media algorithms and Big Tech through the recurring motif of a hyperscale data center.
  • Eddington marks Aster’s shift from supernatural horror to grounded political drama in a small New Mexico town during the COVID-19 pandemic.
  • Experts note the film’s deliberate narrative ambiguity invites viewers to project their own beliefs onto its characters and events.