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Acrobatic Ravel Premiere Stuns and Divides at Southbank Centre’s Multitudes Festival

Circa’s daring physical feats paired with the London Philharmonic’s musical mastery thrilled audiences but drew critiques for narrative disconnection.

Acrobats from the Australian troupe Circa performed alongside the London Philharmonic
(Photo: Pete Woodhead)

Overview

  • Australian troupe Circa collaborated with the London Philharmonic Orchestra, BBC Singers, and conductor Edward Gardner to reinterpret Ravel’s Daphnis and Chloé and La Valse at the Royal Festival Hall.
  • The performance marked the launch of the Southbank Centre’s Multitudes festival, which aims to blend orchestral music with other art forms to attract broader audiences.
  • Critics praised the acrobats’ breathtaking physicality and the orchestra’s precise execution but noted a lack of narrative cohesion, particularly in La Valse.
  • Audience members were instructed not to clap during the performance to maintain the uninterrupted flow of music and acrobatics.
  • The festival, continuing through May 3, reflects efforts to reimagine classical programming during a significant Ravel anniversary year.